Winnie-The-Pooh: Blood And Honey

Christopher Robin is headed off to college and he has abandoned his old friends, Pooh and Piglet, which then leads to the duo embracing their inner monsters.

“you’ve got the makings of a dark and twisted cult classic.” (Salon)

“Seeing the iconic bear reimagined as a nightmarish slasher monster speaks to a delightfully imaginative spirit that really inspires us.” (Nerdist)

“Pooh’s new role as a monstrous killer is a beautiful thing, reminding us that pop culture’s infinite cycle is—and must be—more powerful than any single capitalistic endeavour. So suck eggs, Disney: Pooh’s honey jar doesn’t belong to you. His grotesque reinvention is a kind of cosmic counter-balance: the yin of merchandise-friendly family products; the yang of a gnarly midnight movie.” (Flicks)

“Disney will end up in everyone’s crosshairs at some point. But regardless of how things play out politically, it’s highly amusing that something as deliberately imbecilic as “Winnie the Pooh: Blood and Honey” is destined to become a major event in public domain history.” (Indie Wire)

Please take note that doors open 30 minutes before showtimes. We encourage people to arrive early. We have a small box office, a small candy bar, and a single-screen cinema, meaning that when most of an audience shows up a few minutes before showtime, it causes a bottleneck. If possible, we appreciate you arriving a little bit early to pick out your seat and get your popcorn. Thanks for your help!